Picture no Picture

Acknowledging the confines of discourse while highlighting its means of representation, PICTURE NO PICTURE hopes to raise questions concerning what can be "said," within the context of visual art. While the reductive aesthetic of the modernist art object proposed a set of limits to insure its autonomy and purity, much of the work in this exhibition employs a spare aesthetic that highlights the phenomenological experience of the gallery setting, underlining the significance of the art object’s context to its reception.