15% off everything!*
Code: 15APRIL
Ends April 26, 2024.
*Offer valid through April 26, 2024 (11:59 p.m. local time) with code: 15APRIL. Valid for all full-priced printed publications uploaded to and purchased through your own account. A 15% discount is applied toward your product total, excluding any author mark-up, with no minimum or maximum order amount. This offer is good for two uses, and cannot be used for digital publications, combined with volume discounts, custom orders, other promotional codes, or gift cards, or used for adjustments on previous orders.

Save 15%* through April 26, 2024. Code: 15APRIL Details.

Art in Print, Volume 8:

Art in Print, Volume 8/Issue 3

Read Sample
  • Details
  • Description
Published by:
Art in Print Review
Published:
9/6/2018
Specs:
Standard / 8.25" x 10.75"
72 pages Perfect-bound
Category:
Art
Tags:
art, art history, artist, auction, collector, edition, etching, exhibition, gallery, Library, lithography, museum, printmaking, prints, renaissance, review, screenprint, woodcut

Volume 8, Issue 3 includes the articles On the Edge of Visibility by Susan Tallman; A Guide to the Exhibition “Edge of Visibility” at the International Print Center New York; Johann Michael Püchler the Younger: Micrography in Print by Freyda Spira; Ad Reinhardt’s Narrative Vision by Brian T. Leahy; The Vanishing: Walid Raad by Elleree Erdos; Matthew Kenyon and the SWAMP Notepads / A Conversation between Matthew Kenyon and Johnny Plastini; Samuel Levi Jones Speaks with Leah Ollman; Boris Margo’s 1960s Cellocuts by Faye Hirsch; Watermarks as Art by Kate McCrickard; Danh Vo’s (Art)ifacts by Nicole Meily; Prix de Print, No. 31 juried by Antoine Rouillé d’Orfeuil / Tracking by Barbara M. Duval; News of the Print World

Also in Art in Print, Volume 8

1 - 3 of 5 other publications

Art in Print, Volume 8: Art in Print, Volume 8/Issue 3


This site uses cookies. Continuing to use this site without changing your cookie settings means that you consent to those cookies.

Learn more How to turn off cookies
OKAY, GOT IT