Time Interwoven

My interest in the materiality of photography led me to begin printing on canvas in 1998.

I began with a standard sewing machine and later incorporated hand stitching and embroidery. The domestic act of sewing becomes an actual attack on and healing the images' surface. The needle punctures each photograph as it sutures multiple moments into a singular unified representative of reality. This gesture articulates my relationship with photography as the medium splits along its technological fault lines and transforms itself in alarming and beautiful ways