Diana Nicholette Jeon, in her long career of photo experimentation, sees the AI "revolution" as just another wave of many in the past that are at first controversial but eventually become routine parts of our understanding of photographic art. She treats AI image-making tools as a new and challenging way to generate material for her unique and already mature conceptual and aesthetic framework. The work in this month’s issue gives us a look at both the artworks and the process behind the product — the patience, intelligent experimentation, and, often, the fun that are the components that Diana mixes together to make images that are very clearly her own and very clearly extraordinary.